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$3.09The Story
Softcover | 21.59 x 1.91 x 27.94 cm | 144 pp
Black Dog Publishing | 2009 | 9781906155780
Incorporating research in the fields of psychical research, psychology, physiology, photography and optical viewing, Susan MacWilliam's work explores ideas about the visible and the invisible, about vision and perception, reality and illusion.
Through the use of video, photography and sculptural installation, MacWilliam has created pieces of work on wide scoping aspects of the paranormal including accounts of materialising mediums and clairvoyants, optograms, trance, x-ray vision and dermo-optical perception, exploring specific myths and histories, challenging ideas about presentation and the credibility of an image.
Organised into three main sections the book looks extensively at her work including three pieces put forward for the Venice Biennale 2009; F-L-A-M-M-A-R-I-O-N, Eileen and Dermo Optics.
With supporting essays from a collection of prestigious writers and experts in the field, including poet Ciaran Carson, Venice Biennale curator Karen Downey, art writer Slavka Sverakova, Brian Dillon and Martha Langford, and excerpts from correspondences with parapsychologists, Remote Viewing is an extensive, in-depth look into MacWilliam's artistic practice and the inspiration behind these major projects.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.

Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
Softcover | 21.59 x 1.91 x 27.94 cm | 144 pp
Black Dog Publishing | 2009 | 9781906155780
Incorporating research in the fields of psychical research, psychology, physiology, photography and optical viewing, Susan MacWilliam's work explores ideas about the visible and the invisible, about vision and perception, reality and illusion.
Through the use of video, photography and sculptural installation, MacWilliam has created pieces of work on wide scoping aspects of the paranormal including accounts of materialising mediums and clairvoyants, optograms, trance, x-ray vision and dermo-optical perception, exploring specific myths and histories, challenging ideas about presentation and the credibility of an image.
Organised into three main sections the book looks extensively at her work including three pieces put forward for the Venice Biennale 2009; F-L-A-M-M-A-R-I-O-N, Eileen and Dermo Optics.
With supporting essays from a collection of prestigious writers and experts in the field, including poet Ciaran Carson, Venice Biennale curator Karen Downey, art writer Slavka Sverakova, Brian Dillon and Martha Langford, and excerpts from correspondences with parapsychologists, Remote Viewing is an extensive, in-depth look into MacWilliam's artistic practice and the inspiration behind these major projects.






















